Religion and Film 2019

The short film Bunny used many high angle overhead shots to depict the point of view of the moth. This perspective puts the audience in the position of the moth so we feel more sympathy when the bunny starts trying to kill it. Dutch angles, or canted angles were used primarily during the oven sequence to promote confusion and uncertainty since this is uncharted territory for the bunny and the audience. I thought that maybe the moth was the spirit of the bunny's husband because of the close-up of the moth on their wedding photo and the fact that the moth is so persistent in trying to get the bunny's attention.  In Harold and Maude, the first scene we viewed starts off in deep focus since we can see both the mother and young women talking in the foreground as well as Harold's "suicide" in the outside garden. The camera interacts mainly with Harold during this scene especially when he breaks the fourth wall by looking at it directly. This act acknowledges the pr...

“Bunny” is a short animation that depicts the transformation of the earthly body to the celestial form as the protagonist transitions into the afterlife. The moth symbolizes the guide, and we get this perception because of the different techniques used to portray the moth. The moth has a musical theme that has a driving and whimsical rhythm, giving the viewer an association of mischief with the insect. The shots portray the moth interfering with the bunny who is hard at work. The viewer resonates with the bunny’s reaction that the moth is an annoyance because the bunny is often in the side of the frame, with an open space for the moth to appear. The viewer expects that the moth will enter the frame to fill that space, yet when it does, the viewer still gets the sense that the moth is an unwelcome presence because of the bunny’s reaction as well as the presumed stupidity of the moth. The moment of truth happens when the bunny enters the oven and the moth’s spiritual significance is rev...